What takes scaffolding, horsehair brushes, microfiber cloths, and great attention to detail? The annual “Big Clean” at Monticello!

Over the course of three days every January, our Curatorial and Restoration teams thoroughly clean Monticello from floor to ceiling. In this livestream, take a behind-the-scenes look at this exacting process and how cleaning in a museum setting is similar to—and markedly different from—how many people clean their own homes.

In January or February of each year, Monticello’s Curatorial and Restoration teams join forces for a three-day project, thoroughly cleaning Monticello from floor to ceiling. Affectionally dubbed the “Big Clean,” this event helps preserve the house and prepare for a new year of visitors.

The Big Clean begins before sunrise. A team of eight or nine people start the day at 6:30 a.m. and typically finish around 3:30 p.m. Visitors can see the work in progress and speak with the staff. “These are definitely my favorite work days of the year,” says Museum Technician Malia Sbach. “We’re usually behind the scenes, so we love this opportunity to interact with guests, answer questions and share the role that the Collections team plays in preserving the house and objects.”

Of course, the Big Clean isn’t the only time of year that the house receives attention.  Museum technicians spend two or three hours cleaning the house each day before visitors arrive — vacuuming and dusting throughout the house, and deep cleaning a different room each day. Yet, as Museum Technician Caitlin Hepner explains, the volume of foot traffic from more than 400,000 annual visitors makes the Big Clean a necessary addition.

“With two-story ceilings in some rooms, reaching every surface isn’t possible on a daily basis — nor is it desired from a preservation standpoint,” she says. “This is our chance to really address all the objects and spaces.”

 

This livestream was made possible in part by a major grant from the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this program do not necessarily represent those of the National Endowment for the Humanities.